Title: The Waste Land and Other Poems
Author: T.S. Eliot
Genre: Poetry
Publisher: Penguin Classics
Published: 1922 (The Waste Land)
Rating - 10 out of 10
T.S. Eliot is a true master with words. His style of dark, depressing
prose, gorgeous description, veiled hidden meanings shrouded in mystery,
and sharply satiric wit is awing.
While some of my favorite poets
have earned my respect for their pretty, delicate writing, T.S. Eliot
twists blackness, madness, and desperation into shining beacons of
lyrical beauty.
I also love how Eliot so frequently references other
literary characters, especially Shakespeare. He also shows echoes of
Oscar Wilde, Henry James, Marlowe, Emerson, the Bible, Arthurian Legend,
Classical Greek, Shelley, Chopin, and others. These
reflected acknowledgments to his heroes influence his writing deeply,
and make it seem far more literary and relevant.
The satiric elements
are clear and intelligent. I admired his short poem The
Hippopotamus, in which he compared the animal to the Roman Catholic
Church. Hilarious, biting, and clever. But of course, of course, the
true gem in this collection of epics is The Waste Land itself.
One of my favorite poets and thinkers of all time.
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts
Monday, April 29, 2013
Wednesday, March 20, 2013
Review: Love Respelt by Robert Graves
Title: Love Respelt
Author: Robert Graves
Genre: Poetry
Publisher: Doubleday
Published: 1966
Rating: 7 out of 10
Robert Graves wrote one of my favorite books of all time, "I, Claudius," so I began reading this slim little poetry volume of his as soon as I discovered it at a library sale.
Most of the pieces are concise and beautiful. No poem took up more than a single page, and a few particularly sparse entries were only four or five lines. As the title suggests, all of them focus, either obviously or in veiled allegorical prose, on the theme of love.
My favorite poems were "The Snap-Comb Wilderness," which delicately describes the beauty of a woman's hair; "Black," a very short but eloquent poem with a dark undertone, and "Nothing Now Astonishes," which read so lyrically, I just had to read it aloud a couple of times.A gem of a find.
Author: Robert Graves
Genre: Poetry
Publisher: Doubleday
Published: 1966
Rating: 7 out of 10
Robert Graves wrote one of my favorite books of all time, "I, Claudius," so I began reading this slim little poetry volume of his as soon as I discovered it at a library sale.
Most of the pieces are concise and beautiful. No poem took up more than a single page, and a few particularly sparse entries were only four or five lines. As the title suggests, all of them focus, either obviously or in veiled allegorical prose, on the theme of love.
My favorite poems were "The Snap-Comb Wilderness," which delicately describes the beauty of a woman's hair; "Black," a very short but eloquent poem with a dark undertone, and "Nothing Now Astonishes," which read so lyrically, I just had to read it aloud a couple of times.A gem of a find.
Saturday, March 9, 2013
Review: Soulful Sounds by John R. Jackson
Title: Soulful Sounds
Author: John R. Jackson
Genre: Poetry
Publisher: Exposition
Published: 1973
This slim volume of poetry by an unknown writer who never gained any recognition was published in 1973, the author's first and last publication (as far as I could see, that is).
I am sometimes intrigued by battered-looking, unknown books that no one has heard of. That was why I bought this one, even though I truthfully didn't expect to like it. I am very picky about poetry, and besides that, the inside cover advertised that Jackson wrote solely for a Black audience. As a blue-eyed white girl, I wasn't sure if I was the right audience. I do find Civil Rights issues and racial prejudice interesting, but it isn't a subject I usually go looking for.
The first part of this book, which focuses on the author's African heritage, the history of his people, and the racism and prejudice he faces, was indeed interesting but not riveting.
Besides my feeling that he was speaking to someone else, I was a bit unsettled by the underlying feeling of the poems, that Jackson was trying to apologize for being black, making it sound as though his race was the problem, rather than racism itself.
Also, he seemed to be fond of letting out a string of names, sometimes taking up over half a dozen lines. It annoyed me. Aretha Franklin and Martin Luther King Jr. have entire poems written in their tribute, as well as James Brown, who gets the longest one.
The other parts of the book involve romance, patriotism, broken hearts, and miscellaneous work. His more personal poems, in which he was speaking of his own life and not trying to be a voice of an entire race, were surprisingly touching. I must slip in the disclaimer that I am not the best poet critic, as I don't know much about the rules. I just read poetry like the average person and judge it on how it strikes me.
Jackson writes of love lost, of a painful divorce, of the elation and longing of love, of war, and of sorrow at the corruption he sees in the world.
There is a beautiful poem dedicated to his brother-in-law, who fought in World War II, as well as a failure of a poem called "Secretary," which was laughably cheesy.
I couldn't help but wonder, from his poems, who his "Helen" was in real life. He mentions a forbidden romantic interest in a few of his poems who is obviously a white woman (he describes her "fair" skin and "flaxen hair"), and I wondered what the story might be.
The writing is poignantly unpolished, his occasional grammatical errors only adding to a sense of sing-song, blues sound. You can easily imagine a singer with a raspy, rich voice starting to sing the lines of Jackson's poems at any moment.
I enjoyed this book of poetry more than I thought I would. And, I opened it to see the author's signature, which I hadn't known was there when I bought it.
Author: John R. Jackson
Genre: Poetry
Publisher: Exposition
Published: 1973
This slim volume of poetry by an unknown writer who never gained any recognition was published in 1973, the author's first and last publication (as far as I could see, that is).
I am sometimes intrigued by battered-looking, unknown books that no one has heard of. That was why I bought this one, even though I truthfully didn't expect to like it. I am very picky about poetry, and besides that, the inside cover advertised that Jackson wrote solely for a Black audience. As a blue-eyed white girl, I wasn't sure if I was the right audience. I do find Civil Rights issues and racial prejudice interesting, but it isn't a subject I usually go looking for.
The first part of this book, which focuses on the author's African heritage, the history of his people, and the racism and prejudice he faces, was indeed interesting but not riveting.
Besides my feeling that he was speaking to someone else, I was a bit unsettled by the underlying feeling of the poems, that Jackson was trying to apologize for being black, making it sound as though his race was the problem, rather than racism itself.
Also, he seemed to be fond of letting out a string of names, sometimes taking up over half a dozen lines. It annoyed me. Aretha Franklin and Martin Luther King Jr. have entire poems written in their tribute, as well as James Brown, who gets the longest one.
The other parts of the book involve romance, patriotism, broken hearts, and miscellaneous work. His more personal poems, in which he was speaking of his own life and not trying to be a voice of an entire race, were surprisingly touching. I must slip in the disclaimer that I am not the best poet critic, as I don't know much about the rules. I just read poetry like the average person and judge it on how it strikes me.
Jackson writes of love lost, of a painful divorce, of the elation and longing of love, of war, and of sorrow at the corruption he sees in the world.
There is a beautiful poem dedicated to his brother-in-law, who fought in World War II, as well as a failure of a poem called "Secretary," which was laughably cheesy.
I couldn't help but wonder, from his poems, who his "Helen" was in real life. He mentions a forbidden romantic interest in a few of his poems who is obviously a white woman (he describes her "fair" skin and "flaxen hair"), and I wondered what the story might be.
The writing is poignantly unpolished, his occasional grammatical errors only adding to a sense of sing-song, blues sound. You can easily imagine a singer with a raspy, rich voice starting to sing the lines of Jackson's poems at any moment.
I enjoyed this book of poetry more than I thought I would. And, I opened it to see the author's signature, which I hadn't known was there when I bought it.
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