Title: Brokeback Mountain
Author: Annie Proulx
Genre: Literary
Publisher: Scribner
Published: 2005
Pages: 64
Rating - 7 out of 10
I have wanted to see the movie fashioned after this book for awhile, but put it off until I read the book.
Now, years later, I came across this slim little volume while browsing the shelves of a used bookstore.
I read it in about half an hour, but was surprised that such a little amount of time had gone by.
At
a mere 64 pages, "Brokeback Mountain," which is actually a short story,
doesn't look like a laborious read. I began reading it flippantly,
skeptical about the idea of an epic romance being contained in under 100
pages.
However, this book wasn't what I expected.
First of all, it wasn't an "epic romance." I had imagined it being much like a man version of "Titanic."
And secondly, I certainly didn't see Proulx's powerful writing coming.
In
such a small amount of paper, the author covers 20 years, and pulls it
off more than successfully. "Brokeback Mountain" may be a short story,
but it impacts the reader like a full-fledged novel that you've been
reading and loving for weeks.
Sure, Proulx could have written this
tale as a detailed, long, volume. But her writing clearly points out for
itself that she doesn't need to.
Her simplistic, to the point prose
was a bit hard to get used to, but after a few pages, I was thanking her
for it. She includes minor little "supporting" details without ever
going into them, giving you a picture of a character in a sentence when
other writers would take a chapter. Her writing is short and sweet - or,
better put - short and bitter.
Because if there is a word that does
not describe this book, it is sweet. Annie Proulx writes with
unabashed, realistic, often dirty prose. Her tale is straight black
coffee - cowboys didn't have fancy espresso machines, whipped cream, and
sugary sprinkles, after all.
I was impressed at the way she handled
the two main character's relationship. There was no "gazing into his
beautiful brown eyes" business. There was no romanticizing it, no
beautification. It was a solid, honest story about two men. Their
relationship begins with unromantic, unfeeling sex, for example. Not
passionate sex, or a sex scene that belongs in a Harlequin. Just sex.
The feelings come later, but still without touching up, without
airbrushing.
There was no epic here - it could very believably have
been labeled a true story. And if it had been, it wouldn't have been the
dramatic, popular story that the Titanic became. Because,
fundamentally, this book is quite normal. Jack and Ennis are everyday
men with ordinary, average lives. One would probably be inclined to say,
in fact, that their lives were more than a bit mundane.
But underneath this violent, hardened world that the reader is drawn into, lies, somewhere, a love story.
It is not an obvious love story, or an amazing love story - it is simply a love story.
Does it need to be anything else?
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